Silencing the Span
Ethical Tech CoLab · DUMBO rail-noise programme · Interactive artifact 3 of 3

What the measured levels actually sound like

An audible demonstration of the sound levels the MTA recorded in DUMBO's public spaces in November and December 2023 — a train approaching, passing and departing, at the correct decibel difference, with live weighted meters. Companion to IDEA-CONCEPT.md Part 1.

This is a synthesis, not a recording. Nobody in this programme has an audio recording of the Manhattan Bridge. What you will hear is generated noise whose level envelope is pinned to published measurements. The levels and their differences are real and traceable. The timbre is invented, because no third-octave spectrum has ever been published for either bridge — so this demo tells you nothing about what the noise sounds like, only about how loud it is relative to its own background.

And your browser cannot reproduce absolute sound pressure level. What comes out of your speakers depends on your volume knob, your hardware and your room. The absolute dB(A) figures shown on the meters are the modelled level in the field, not the level at your ear. What transfers faithfully to your ears is the difference — and the difference is the whole point.

Why a demonstration is worth building at all. The MTA's own summary of its DUMBO survey is one sentence: "On average, the difference between the baseline and the peak sound level is 43 dB(A)." Forty-three decibels is a number that means almost nothing to a reader and everything to a resident. A factor of roughly twenty thousand in acoustic power, arriving about once every eighty seconds, twenty hours a day, in a park. This page exists to move that number out of the table and into your ears.

55
Start low. The peak here is modelled at up to 98.9 dB(A) in the field — if your system were calibrated to reproduce that, it would be genuinely unsafe. It is not calibrated, so it will not be. Use the difference, not the loudness.
Receptor — where the MTA put the meter
What to play
Jump to a moment in the pass-by
Turn the sound on and play a pass-by. This reads the live difference between what you are hearing now and this receptor's train-free background level.
Now
dB(A) modelled
Background
train-free baseline
Modelled level through the pass-by
 

Why continuous running is the more honest mode

A single pass-by is an event. What a person sitting in the park experiences is a process: the same event, on a headway, for twenty hours a day. Those are different claims about harm, and only the second one is the problem the MTA was asked about. The headway is published — it is the session duration divided by the train count, and at the dog run that is 26 trains in 37 minutes 45 seconds, one every 87 seconds — so the process can be modelled from data just as directly as the event can.

Three things change when the loop runs rather than a single pass.

  1. The gaps become the argument. At the dog run the train is meaningfully above background for roughly forty seconds out of every eighty-seven. Long enough to notice; not long enough to adapt to. Written as a duty cycle — 7.2% of the session at full peak-equivalent energy — it sounds small. Sat through, it is not.
  2. The energy average becomes measurable on screen. The running Leq readout accumulates the modelled power over modelled time and converges. That is the number CEQR, the FTA and § 1204-a are all written in, and it is the number the MTA published. Watching the loop settle onto it is the closest this page comes to checking itself.
  3. The tails overlap. The loop sums the three nearest events rather than playing one at a time, because on a four-track crossing the tail of a departing train is still arriving when the next one begins. Playing isolated events back to back would quietly discard that energy.

On time compression. Real time is offered and is the default, but a real headway means real waiting. The compressed rates scale every interval by the same factor — the gaps and the pass-bys alike — so the duty cycle is preserved exactly and the energy average is unchanged. The only thing compression falsifies is the tempo: the trains sound faster than they are. Levels, differences and averages all remain what the measurements say.

Two receptors have no continuous mode, on purpose. Front and Pine Street and the Williamsburg Bridge walkway publish no train count and no session length, so neither has a measured headway. Running a loop there would mean inventing the service pattern, and the button is disabled rather than filled with a plausible guess.

What is measured, what is derived, and what is invented

Every parameter of this demonstration carries its own provenance, on the same DOCUMENTED / INFERRED / ASSUMED scale the rest of this programme uses, with one addition: DERIVED means it was calculated from published numbers by arithmetic shown in full below.

The one thing this demo derives that the sources do not state

The MTA publishes, for each public-space session, four numbers: the session Leq, the peak Lmax, the train-free baseline, and the number of trains over a stated duration. It does not publish how long a train event lasts. But those four numbers determine it, if you assume the session is baseline plus N equal train events. Solving the energy balance for the equivalent time each train would have to spend at its peak level gives:

Thresholds this sits against

From the CEQR Technical Manual noise-exposure guidelines, as cited in IDEA-CONCEPT.md §3.2. These are L10 criteria; the MTA reported Leq, so a direct comparison is indicative and not a formal classification.

Receptor classCriterionWhere DUMBO's public spaces sit
Outdoor area requiring serenity and quietL10 ≤ 55 dBAExceeded at every public location measured, by 26 to 33 dB
Residence, daytimeL10 ≤ 65 dBAExceeded at every public location measured
"Clearly unacceptable" — residence at any hour, and school, museum or libraryL10 > 80 dBAAdams Street Library recorded an average Leq of 84.65 dB(A). The dog run recorded 87.50.

Where this demonstration is likely to be wrong

  1. The spectrum is fabricated. No third-octave data has been published for either bridge. Two sounds can share an A-weighted level and be entirely different experiences. Nothing here should be used to argue about annoyance, speech interference, or which frequencies a treatment should target.
  2. The envelope shape is a convention, not a measurement. The decay law used is a compromise between point-source and line-source behaviour. Only its energy is pinned to data; its shape is chosen.
  3. The derived event duration assumes all trains are equal. They are not. B, D, N and Q services differ in car class, consist length and axle count, and the MTA report normalises for none of these. The derived figure is an average over an unknown mixture.
  4. Continuous running assumes a perfectly regular headway. Real service is not a metronome. The published figure is a session average — 26 trains in 37 minutes 45 seconds — and the real intervals scatter around it, bunch behind delays, and differ by direction and by service. The loop is a mean rendered as a rhythm, and the regularity you hear is an artifact of that. It also runs a single headway indefinitely, whereas real service thins overnight; the MTA sessions were daytime, so the loop represents a daytime hour and not a day.
  5. It assumes the published baseline is a true train-free floor. At the DUMBO Archway the "baseline" is 68.9 dB(A), which is not a quiet environment. Some of what is attributed to background may be distant rail.
  6. The meter agreement is engineered, not evidence. The synthesis is scaled so the rendered A-weighted level matches the modelled level. That the two agree confirms the scaling works. It confirms nothing about the bridge. Under time compression the meter's averaging window is shortened in proportion so that it still spans a comparable slice of modelled time; that keeps the check fair but makes the rendered needle visibly noisier in the gaps, where it is averaging a shorter piece of a random signal.
  7. So is the running-average convergence. The energy average of the loop settles onto the published Leq because the event duration was solved from that Leq. It is a closed loop and it proves the arithmetic is consistent, not that the model is true. It would be evidence only if the duration had come from somewhere else. It is also not exact. The derivation in §1.7 treats a train event as replacing the baseline for its duration, whereas the loop adds the event on top of a baseline that never stops, so the loop carries slightly more energy than the published figure: 0.002 dB more at the dog run, 0.021 dB at the DUMBO Archway. The residual is stated rather than removed, because removing it would mean editing a published derivation to make an audio demonstration look tidier.
  8. Peak levels are single events. A Max Lmax is the loudest thing that happened once. Treating it as the level of every train overstates the typical case, which is why the derived durations below are labelled "equivalent" and not "actual".
  9. The indoor sites break the derivation and are shown here precisely so the failure is visible rather than hidden.

A correction to the first version of this page

The version of this artifact published on 1 August 2026 carried a button labelled "Continuous, at the measured headway". It was not. The code capped the interval between trains at thirty seconds:

const wait = Math.max(eventHalfSpan(s) * 2, Math.min(headway, 30));

That is withdrawn. No receptor on this page has a thirty-second headway; the measured figures are 85 to 126 seconds. The cap inflated the duty cycle by between three and four times, which would have driven the energy average several decibels above the published one, and the label asserted a fidelity the implementation did not have. It is recorded here rather than quietly fixed because that is this programme's rule, and because it is a good example of the failure it keeps having to correct: a plausible-sounding claim attached to something that was never checked against the number it named. The running-average readout now on the page exists partly so that this class of error cannot recur silently — a capped headway would show up immediately as a running Leq that refused to settle on the published figure.

Provenance of this artifact. Built for the Ethical Tech CoLab DUMBO rail-noise programme. All synthesis is Web Audio, generated in the browser from a seeded pseudo-random source, so the output is deterministic and reproducible. No audio files, no external libraries, no network requests, no telemetry. Measured values are from MTA doc 138061, appendix, memoranda of 18 January 2024 and 10 June 2022, and from the Brooklyn Bridge Park FEIS (2005) and the Domino FEIS Site 10, all as cited and rated in IDEA-CONCEPT.md and WILLIAMSBURG-COMPARATOR.md.

Sibling artifacts: section-problem.html (2D provenance-tagged sections) and model-3d.html (navigable 3D model). Licence. CC BY 4.0. Reuse the numbers only with their caveats attached.